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The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders both past and present.

Aboriginal and Torres Strait Islander viewers are warned that this website contains images of deceased persons.

Rayner Hoff
Rayner Hoff
Rayner Hoff

Rayner Hoff, 1924

Harold Cazneaux
Portrait, gelatin silver photograph on paper

Gift of Richard King 2008. Donated through the Australian Government's Cultural Gifts Program.

Alfred Hill
Alfred Hill
Alfred Hill

Alfred Hill, 1936

Rayner Hoff
Portrait, cast plaster, patinated on wooden base

Collection: National Portrait Gallery
Purchased 2000

Ursula Hoff
Ursula Hoff
Ursula Hoff

Ursula Hoff, 1994

Francis Reiss
Portrait, gelatin silver photograph on paper

Purchased 2004

Lord Goddard, White City Stadium, London
Lord Goddard, White City Stadium, London
Lord Goddard, White City Stadium, London

Lord Goddard, White City Stadium, London, c. 1957 (printed 2000)

David Moore
Portrait, gelatin silver photograph on paper

Collection: National Portrait Gallery
Gift of the artist 2001. Donated through the Australian Government's Cultural Gifts Program.
The series 'David Moore: From Face to Face' was acquired as a gift of the artist and with financial assistance from Timothy Fairfax AC and L Gordon Darling AC CMG 2001.

The Hoff

The Hoff

Moustaches

The image of a hairy swag-wielding bushman might be one popularly associated with Australia in the late nineteenth century.

Captain Ulm
Captain Ulm
Captain Ulm

Captain Ulm, 1932

Enid Fleming
Portrait, cast plaster, patinated

Collection: National Portrait Gallery
Gift of the Sydney Airports Corporation 2001

Sir Charles Kingsford Smith
Sir Charles Kingsford Smith
Sir Charles Kingsford Smith

Sir Charles Kingsford Smith, 1932

Enid Fleming
Portrait, cast plaster, patinated

Gift of the Sydney Airports Corporation 2001

Self portrait in plus fours
Self portrait in plus fours
Self portrait in plus fours

Self portrait in plus fours, c. 1939 (cast 2003)

Lyndon Dadswell CMG
Portrait, cast bronze

Purchased 2004

Sidney Myer

Four from the 30s

Magazine article by Andrew Sayers AM, 2003

Australia's tradition of sculpted portraits stretches back to the early decades of the nineteenth century and continues to sustain a group of dedicated sculptors.

image not online

Self portrait at 85, 1990

Joshua Smith
Portrait, oil on primed masonite

Gift of the late May Ralph 2019

Ursula Hoff

Remembering Ursula

About Face article

I first knew Dr. Hoff when in 1986, long after retiring from the National Gallery of Victoria, she taught a graduate seminar on Rembrandt.

Decorative portrait – Len Lye, c.1925 by Rayner Hoff (1894-1937)

Presence and Absence

Portrait Sculpture in Australia
Previous exhibition, 2003

This exhibition focuses on exploring national and communal identity through sculptural production in Australia, from the early decades of settlement through to the present day

The sculptor (George Lambert and Arthur Murch)
The sculptor (George Lambert and Arthur Murch)
The sculptor (George Lambert and Arthur Murch)

The sculptor (George Lambert and Arthur Murch), c. 1929

Harold Cazneaux
Portrait, gelatin silver photograph on paper

Purchased 2015

Field Marshal the Lord Birdwood
Field Marshal the Lord Birdwood
Field Marshal the Lord Birdwood

Field Marshal the Lord Birdwood, 1938

Barbara Tribe
Portrait, cast plaster, patinated

Gift of the Estate of the late Barbara Tribe 2009

Stanley Bruce
Stanley Bruce
Stanley Bruce

Stanley Bruce, 1937

Barbara Tribe
Portrait, cast bronze

Gift of the artist 2000

Self portrait 1955

Portrait of the artist as a young man

Magazine article by Dr Sarah Engledow, 2010

Dr Sarah Engledow explores the early life and career of John Brack.

Last Light Ellis Hutch

Reflections

General content

All that fall: Sacrifice, life and loss in the First World War exhibition co-curators Dr Anne Sanders and Dr Christopher Chapman reflect on the evolution of the Gallery’s Anzac Centenary exhibition.

Self portrait
Self portrait
Self portrait

Self portrait, c. 1948

John Brack
Portrait, conté crayon on paper

Purchased with funds provided by Tim Fairfax AC 2010

Ethel Turner

Moving in creative circles

Magazine article by Joanna Gilmour, 2008

Harold Cazneaux's portraits of influential Sydneysiders included Margaret Preston and Ethel Turner, both important figures in the development of ideas about Australian identity and culture.

Betty Burstall

Arthur Boyd Portraits

Previous exhibition, 1999

This is the first in a series of National Portrait Gallery exhibitions to survey the portraits painted by artists who are not thought of, primarily, as portrait painters

General Birdwood, the Idol of Anzac, taking a dip in the sea after a hard days work 1915

In the thick of it

Magazine article by Dr Sarah Engledow, 2010

Projecting the splendour of the empire, and the resolve of its subjects, the bust of William Birdwood keeps a stiff upper lip in the National Portrait Gallery.

Portrait of a Man (Fred Williams), 1958

Head, hand, heart

Magazine article by Michael Desmond, 2007

An extensive selection of portraits by John Brack were on display at the National Portrait Gallery in late 2007.

Self portrait with glove

To Look Within

Self Portraits in Australia
Previous exhibition, 2004

This exhibition is the first comprehensive survey of self-portraits in Australia, from the colonial period to the present

Bob Hawke

Primed

Some Prime Ministers
Previous exhibition, 2019

Seventeen of Australia’s thirty prime ministers to date are represented in the contrasting sizes, moods and mediums of these portraits.

Jim Conway

Selfhood transcended

Magazine article by Dr Anne Sanders and Dr Christopher Chapman, 2018

Anne Sanders and Christopher Chapman bring passionate characterisation to Express Yourself, the Portrait Gallery collection exhibition celebrating iconoclastic Australians.

Woman with Fair Hair and Pink Cardigan, 1949 by John Perceval.

The family scene

Magazine article, 2016

Traudi Allen discovers sensitivity, humour and fine draughtsmanship in the portraiture of John Perceval.

Christmas Island

About Face article

This is my last Trumbology before, in a little more than a week from now, I pass to my successor Karen Quinlan the precious baton of the Directorship of the National Portrait Gallery.

© National Portrait Gallery 2024
King Edward Terrace, Parkes
Canberra, ACT 2600, Australia

Phone +61 2 6102 7000
ABN: 54 74 277 1196

The National Portrait Gallery acknowledges the Traditional Custodians of Country throughout Australia and recognises the continuing connection to lands, waters and communities. We pay our respect to Aboriginal and Torres Strait Islander cultures and to Elders past and present. We respectfully advise that this site includes works by, images of, names of, voices of and references to deceased people.

This website comprises and contains copyrighted materials and works. Copyright in all materials and/or works comprising or contained within this website remains with the National Portrait Gallery and other copyright owners as specified.

The National Portrait Gallery respects the artistic and intellectual property rights of others. The use of images of works of art reproduced on this website and all other content may be restricted under the Australian Copyright Act 1968 (Cth). Requests for a reproduction of a work of art or other content can be made through a Reproduction request. For further information please contact NPG Copyright.

The National Portrait Gallery is an Australian Government Agency